Madame D’Amours – Music for the Six Wives of Henry VIII
Francisco de la Torre | Danza alta |
William Cornysh | Whilles lyfe or breth |
Anon | Adew le companye |
My Lady Wynkefylds Rownde | |
Matthieu de Gasconge | Nigra sum |
William Cornysh | Blow thi horne, hunter |
Anon | My Lady Carey’s Dompe |
Antoine de Févin | Adiutorium nostrum |
Anon | La Gamba |
Blame not my lute | |
Gentil prince | |
En vray amoure | |
Kyng Harry VIII Pavyn | |
Vincenzo Capirola | Ricercar |
Anon | The Duke of Somersett’s Dompe |
Madame d’amours | |
Ainxi bon youre | |
Jacques Barbireau | Een frölich wesen |
Anon | La Danse de Cleves |
King Henry VIII | Tyme to pas with goodly sport |
attributed to King Henry VIII | Quam pulchra es |
Anon | The Kynges Maske |
Adew madame et ma mastres | |
Prince Edwardes Pavyn | |
Hevyn and Erth | |
The Empororse Pavyn | |
Pavyn of Albart – Galliard of Albart | |
John Merbecke | A virgine and a mother |
Hugh Ashton | Hugh Ashton’s Maske |
- Jennie Cassidy mezzo-soprano
- Musica Antiqua of London
- Philip Thorby director
Henry VIII was probably the most musical of English monarchs: he was an expert singer, composed sacred and secular music, played various instruments and patronised many distinguished foreign and English musicians. His wives were also no mere observers of music at Henry’s court, and maintained their own household musicians. In chapel and chamber, whether dancing, worshipping, singing, playing or listening, music was an important counterpoint to the lives – and sometimes deaths – of all of Henry’s wives, from Catherine of Aragon to Catherine Parr.
In this new programme, specially devised by Philip Thorby, Musica Antiqua play the main types of instrument popular at Henry’s court, including viols, recorders, shawms, bagpipes, cornett, lutes and the virginals. They are joined for the vocal items by Jennie Cassidy, a leading early music singer and regular performer at the Suffolk Villages Festival.