Friday 23 August 2002 8:15 pm
Marc-Antoine Charpentier: Music for the Duchess
Marc-Antoine Charpentier (1643 – 1704) | Caecilia virgo et martyr, H415 |
Salve Regina, H23 | |
De Lamentatione Jeremiae prophetae, H105 | |
Flores, O Gallia, H342 | |
Henry du Mont (1610 – 1684) | Pavane in G minor |
Marc-Antoine Charpentier | Miserere mei Deus, M193 |
- Philippa Hyde, Claire Tomlin, Liz Curry soprano
- Jennie Cassidy alto
- Timothy Kenworthy-Brown countertenor
- Patrick McCarthy tenor
- Alastair Chapman, Nick Webb bass
- Psalmody
- Mark Caudle, Louise Jameson treble viol
- Mary Pells bass viol
- Martin Knizia organ
- directed by Peter Holman
Marc-Antoine Charpentier was the most original and profound French composer of the seventeenth century. He wrote some of his greatest church music for the private chapel of his patron, the Duchesse de Guise. This concert includes his intense six-part setting of the Miserere and the oratorio ‘Caecilia virgo et martyr’. The Duchesse de Guise perferred viols to violins, so Charpentier’s music for her chapel uses the attractively veiled sonority of two treble viols and bass viol.